Nic Mason - Profile
Nic Mason is an emerging artist.
In mid 2016 she left her other career in conservation and land management to focus full time on her art practice. At this time she commenced studies in the painting workshop at the Australian National University, School of Art & Design. In 2019 she is continuing her studies through undertaking a Fine Arts (Honours) Year at University of New South Wales, Art & Design.
Her work has been recognised through being selected for a number of national art prizes including the Macquarie Group Emerging Artist Prize 2018; Waterhouse Natural Science Award 2018; Fleurieu Biennale 2018; Calleen Art Award 2018, 2017 and 2016; Footscray (Tertiary) Art Prize 2017; Brisbane Art Prize 2017 and 2016; and the Korea Australia Art Foundation Prize 2016.
In 2016 she held her first solo art exhibition, WILD in Cowra Regional Art Gallery. This opportunity was born out of being awarded the 2015 Central West Regional Art Award through Cowra Regional Art Gallery. Since she has held three solo exhibitions within NSW and ACT: STILL in Tablelands Artists Cooperative Gallery, Bathurst, 2017; BALANCE in CSIRO Discovery Centre Gallery, Canberra, 2018 with Gallery of Small Things; and Résidence in A K Bellinger Gallery, Inverell, 2018.
In the middle of 2017 she travelled to France with her family to undertake a cultural exchange and practice her art both independently and as part of an international artist residency at Centre d'Art Marnay Art Centre, Marnay-sur-Seine supported by a subvention from the Fondation Ténot, and a NSW Artist Grant from Create NSW administered through the National Association for the Visual Arts.
Since 2013 she has run a number of art workshops in schools. Her immersion in her local community is also evidenced by her rich involvement as a Member and Director in Tablelands Artists Cooperative Gallery, Bathurst, from 2013 to 2017.
She is interested in the act of creating and in communicating concepts. She is interested in the possibilities of enticing new ways of thinking through connection and engagement with art.
She has found herself seduced by paint, the process of painting, thinking about art and art history.
She is richly informed by her background in conservation and land management. After attaining a Science degree she relished a twenty-year career in the conservation and land management sector. She sees her art practice as an extension from her background in conservation management. In both science and art she observes the world, questions, theorises, experiments, problem solves and communicates. With her concern for the environment she uses her art practice to think about land management practices and environmental loss and hope.
She is currently undertaking research as part of the Art of Threatened Species residency project in collaboration with Orana Arts and the Office of Environment and Heritage. Through this project she joined the conversation as a guest speaker with Art of Threatened Species peers at the Artstate Bathurst 2018 Conference.
In mid 2016 she left her other career in conservation and land management to focus full time on her art practice. At this time she commenced studies in the painting workshop at the Australian National University, School of Art & Design. In 2019 she is continuing her studies through undertaking a Fine Arts (Honours) Year at University of New South Wales, Art & Design.
Her work has been recognised through being selected for a number of national art prizes including the Macquarie Group Emerging Artist Prize 2018; Waterhouse Natural Science Award 2018; Fleurieu Biennale 2018; Calleen Art Award 2018, 2017 and 2016; Footscray (Tertiary) Art Prize 2017; Brisbane Art Prize 2017 and 2016; and the Korea Australia Art Foundation Prize 2016.
In 2016 she held her first solo art exhibition, WILD in Cowra Regional Art Gallery. This opportunity was born out of being awarded the 2015 Central West Regional Art Award through Cowra Regional Art Gallery. Since she has held three solo exhibitions within NSW and ACT: STILL in Tablelands Artists Cooperative Gallery, Bathurst, 2017; BALANCE in CSIRO Discovery Centre Gallery, Canberra, 2018 with Gallery of Small Things; and Résidence in A K Bellinger Gallery, Inverell, 2018.
In the middle of 2017 she travelled to France with her family to undertake a cultural exchange and practice her art both independently and as part of an international artist residency at Centre d'Art Marnay Art Centre, Marnay-sur-Seine supported by a subvention from the Fondation Ténot, and a NSW Artist Grant from Create NSW administered through the National Association for the Visual Arts.
Since 2013 she has run a number of art workshops in schools. Her immersion in her local community is also evidenced by her rich involvement as a Member and Director in Tablelands Artists Cooperative Gallery, Bathurst, from 2013 to 2017.
She is interested in the act of creating and in communicating concepts. She is interested in the possibilities of enticing new ways of thinking through connection and engagement with art.
She has found herself seduced by paint, the process of painting, thinking about art and art history.
She is richly informed by her background in conservation and land management. After attaining a Science degree she relished a twenty-year career in the conservation and land management sector. She sees her art practice as an extension from her background in conservation management. In both science and art she observes the world, questions, theorises, experiments, problem solves and communicates. With her concern for the environment she uses her art practice to think about land management practices and environmental loss and hope.
She is currently undertaking research as part of the Art of Threatened Species residency project in collaboration with Orana Arts and the Office of Environment and Heritage. Through this project she joined the conversation as a guest speaker with Art of Threatened Species peers at the Artstate Bathurst 2018 Conference.
In the studio ...
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Nic Mason lives and works in regional Australia, in Wiradjuri country where she pays her respects to elders past, present and emerging.
The studio she works in is a miners cottage rich in stories - many of which find their way back with oral histories from neighbours and visitors returning to their past. It is thought that this dwelling is a remnant from the gold mining days of the mid to late 19th Century. Around a century later this cottage and place became a retreat for the artist, activist and philosopher Margaret Grafton. To more recent times, where Gabrielle, once the teenager inhabiting the nineties in this place, returned to the cottage and revealed her experience of shared story making centred around the mysterious Marika Gusuna, tagged on the wall. |
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